Additive vs subtractive synth how to#

Is mostly just tow having higher control over things that you wouldn't normally if you're just using regular strike of stuff and also like I said before about how to fact that's attractive for this is involved in every other kind of this is regardless but it is in control car like a little example sound that we did a minute ago with some of you might have no one I did, but mostly probably didn't on that we'll find out why? Because it's awesome, but everything in recent is this a big part of easing harmer? Yeah, okay, and then we'll be doing that too later, but for now, let's actually get into doing stuff that we're doing. Now we're going to be talking about added is that this is we have this lovely presentation already kind of built up to sort of talk about what we're going talk about so before we think it was actually a whole bunch of stuff that still actually basten's attractive but this is not talk about that kind of leave them do all of it begins the idea phase cancellation and this could be a lot of fun but also has a everything to do with what a re spaces becoming we kind of did a little bit of it already, but I want actual explain what that is and it's really interesting stuff uh super so I kind of already that but has moved kind talk about began with this time in been sort of context on face cancellation, which will be quite a big deal and then talk about harmonics and these just harmonics and harmer when which will sort of get to play the actual meat of what I have this this is and then we'll talk about kind of had a deuce attractive type things but with an added edge which typically is mostly.

Additive vs subtractive synth